Determination meets dance in this middle grade adaptation of the New York Times bestselling memoir by the first African-American principal dancer in American Ballet Theatre history, Misty Copeland.
As the first African-American principal dancer at the American Ballet Theatre, Misty Copeland has been breaking down all kinds of barriers in the world of dance. But when she first started dancing—at the late age of thirteen—no one would have guessed the shy, underprivileged girl would one day make history in her field.
Her road to excellence was not easy—a chaotic home life, with several siblings and a single mother, was a stark contrast to the control and comfort she found on stage. And when her home life and incredible dance promise begin to clash, Misty had to learn to stand up for herself and navigate a complex relationship with her mother, while pursuing her ballet dreams.
Life in Motion is a story for all the kids who dare to be different, dream bigger, and want to break stereotypes in whatever they do.
Potentially Sensitive Areas: Discrimination
Booklist (November 1, 2016 (Vol. 113, No. 5))
Grades 4-8. Copeland brings her adult memoir to a middle-grade audience with this young readers edition. Much of the nation has been captured by her power and grace as a principal dancer for the American Ballet Theatre (ABT), an incredible accomplishment made all the more notable because she’s the first African American to hold the position. The challenges of being a person of color in the traditionally white classical ballet world occupy much of the book, but just as resonant are the personal stories she tells of growing up with little money in an unstable home. Even with amazing natural ability and the “perfect” ballerina’s body, Copeland still had to work unbelievably hard to achieve her dream of joining the ABT, and the descriptions of hours-long rehearsals and painful injuries drive this home. Devoted to equal opportunities within the arts, the petite ballerina continues to make a sizable impact both on and off the stage. Dancers in particular will be drawn to Copeland’s story, but everyone will be inspired by her soaring spirit, caring heart, and fierce determination.
Kirkus Reviews (November 1, 2016)
A ballet milestone was reached when Copeland was named the first African-American principal ballerina at American Ballet Theater. Copeland begins her memoir with her difficult childhood of many stepfathers and little money. Recognized by local dance teachers as someone with great potential, she was encouraged to take lessons, apply for summer studies, and pursue what ultimately became her realized dream: a career as an elite dancer. Copeland is open about her mixed-race family’s difficulties and how “Dancing was my escape.” She is frank about discussing her enormous talent along with her conflicted feelings about her mother’s role versus those of her teachers who took her in and provided for her, leading to a court battle for emancipation. Famous black performers sought her out and were a source of strength and comfort; she even performed with Prince. Always present, of course, is the fact that the world of ballet is “full of ivory-skinned dancers.” Skin color, hair, and makeup needs set African-American ballet dancers apart, resulting in many instances of prejudice both overt and subtle. In this young readers’ edition of her 2014 memoir of the same name and with Colbert’s assistance, Copeland writes in a conversational tone. She devotes much space to her innate abilities, her ABT career, and her overwhelming desire to succeed and be an inspiration. As Copeland fiercely reminds herself, “This is for the little brown girls”—and any reader in need of inspiration. (Biography. 11-16)
About the Author
Misty Danielle Copelandis an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to principal dancer in ABT’s 75-year history.
Copeland was considered a prodigy who rose to stardom despite not starting ballet until the age of 13. By age 15, her mother and ballet teachers, who were serving as her custodial guardians, fought a custody battle over her.
In 1997, Copeland won the Los Angeles Music Center Spotlight Award as the best dancer in Southern California. After two summer workshops with ABT, she became a member of ABT’s Studio Company in 2000 and its corps de ballet in 2001, and became an ABT soloist in 2007. As a soloist from 2007 to mid-2015, she was described as having matured into a more contemporary and sophisticated dancer.
In addition to her dance career, Copeland has become a public speaker, celebrity spokesperson and stage performer. In 2015, she was named one of the 100 most influential people in the world by Time, appearing on its cover. She performed on Broadway in On the Town, toured as a featured dancer for Prince and appeared on the reality television shows A Day in the Life and So You Think You Can Dance.
Her website is mistycopeland.com.
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