The only graphic novelization of Anne Frank’s diary that has been authorized by the Anne Frank Foundation and that uses text from the diary–it will introduce a new generation of young readers to this classic of Holocaust literature.
This adaptation of Anne Frank’s Diary of a Young Girl into a graphic version for a young readership, maintains the integrity and power of the original work. With stunning, expressive illustrations and ample direct quotation from the diary, this edition will expand the readership for this important and lasting work of history and literature.
Potentially Sensitive Areas: Harsh realities of war, Strong sexual themes
Booklist starred (October 15, 2018 (Vol. 115, No. 4))
Grades 8-12. Adapting a remarkable primary source like Anne Frank’s diary is no small feat. How do you summarize and visualize such a remarkable document of the Holocaust? As if that weren’t challenge enough, how can you capture the inside of a young girl’s head, her insecurities, dreams, and fears? This graphic novel adaptation takes many risks. The first of many, and its saving grace, is its loyalty to Anne’s own voice. Often witty, ironic, even snarky, Anne’s writing has an acerbic sense of humor. This adaptation is first and foremost a remembrance of that Anne who, despite living a life marred by tragedy, tried by indignities, always held true to herself. Light touches of historical context, woven in through diary entries, provide necessary background without coming across as overly didactic. The whimsical nature of Polonsky’s illustrations, which play upon Anne’s active imagination during her time in hiding, are unexpectedly moving; though we never lose sight of the gravitas of Anne’s story, these forays into fantasy, which show Anne escaping from the harsh present into a future that will never come, serve to remind us of the truly human face of genocide. This is an exceptionally graceful homage to a story that deserves to be told for years to come.
Kirkus Reviews (July 15, 2018)
An illustrated abridgement of the Nazi-era classic. Anne Frank (1929-1945) as graphic-history heroine? Adapter and composer Folman and illustrator Polonsky (Animation and Illustration/Bezalel Academy of Arts and Design) worked together on the Oscar-nominated, animated documentary Waltz with Bashir. According to Folman, they were approached by the Anne Frank Foundation about adapting the diary into both “an animated film for children” and a graphic novel that would introduce it to a new generation of readers. He then faced a “significant challenge”—to render the whole diary in graphic form might take a decade to complete and some 3,500 pages, while a more manageable “edit” could feature only 5 percent of the original text. Though he opted for the latter course, the abridgment retains the spirit of the whole as the perceptive and increasingly self-aware teenager navigates the usual tensions of adolescence—puberty, romance, family issues—within a nightmarish retreat from the Nazi atrocities intensifying outside their secret hideout. She feels guilty about any everyday cheerfulness she experiences in the face of so much death and destruction, and she succumbs to bouts of depression despite her typical resilience. “Even deep sleep brings no redemption,” she writes. “The dreams still creep in.” Those dreams bring out the best of the illustrations amid the depictions of the everyday confinement in which Anne, her family, and others are hiding. They were captured toward the end of the war, after the end of the diary, when the gas chambers were on the eve of being dismantled. Though she wasn’t aware of her fate, Anne writes with much awareness of not only herself, but a potential readership, with the literary aspirations of someone who feels she has “one outstanding character trait…a great deal of self-knowledge. In everything I do, I can watch myself as if I were a stranger.” A different format distills and renews Frank’s achievement.
About the Author
Ari Folman is an Israeli film director, screenwriter and film score composer.
He witnessed the aftermath of the 1982 Sabra and Shatila massacre as a 19 year old Israeli soldier. This would serve as the basis of Waltz with Bashir. The film follows his attempt to regain his memories of the war through therapy as well as conversations with old friends and other Israelis that were present in Beirut around the time of the massacre.
Since 2006 he has been the head writer of the Hot 3 drama series Parashat Hashavua.
Around the Web
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