Tag Archives: Horror

Strange Star by Emma Carroll

Strange Star by Emma Carroll. March 20, 2018. Delacorte Press, 240 p. ISBN: 9780399556067.  Int Lvl: 5-8; Rdg Lvl: 4.3; Lexile: 590.

From the critically acclaimed author of In Darkling Wood comes a spine-tingling novel inspired by Frankenstein with more than a hint of mystery and suspense. 

One stormy June evening, five friends meet at Villa Diodati, the summer home of Lord Byron. After dinner is served, they challenge each other to tell ghost stories that will freeze the blood. But one of the guests–Mary Shelley–is stuck for a story to share.

Then there’s an unexpected knock at the front door. Collapsed on the doorstep is a girl with strange scars on her face. She has traveled a long way with her own tale to tell, and now they all must listen.

Hers is no ordinary ghost story, though. What starts as a simple tale of village life soon turns to tragedy and the darkest, most dangerous of secrets. Sometimes the truth is far more terrifying than fiction . . . and the consequences are even more devastating.

Potentially Sensitive Areas: Some gruesome imagery, Death of a parent, Inhumane treatment of animals

 

Video Review

Reviews

Booklist (January 1, 2018 (Vol. 114, No. 9))
Grades 4-7. On a dark summer night in Switzerland, Lord Byron challenges his friends to tell ghost stories, while Felix, a servant boy told to stay out of sight because of his dark skin color, listens at the door. One guest, Mary Shelley, struggles with the challenge. Then, a knock at the door: a half-dead girl named Lizzie with strange scars has appeared on the doorstep, and she has a chilling story of her own. A comet—some say a bad omen—passed over Lizzie’s village, and a lightning storm changed her life for the worse. Her inquisitive sister keeps getting into trouble, and a mysterious scientist keeps appearing in the graveyard. As all these seemingly unconnected things come to a head, Lizzie faces an incredible journey, carrying a story that, perhaps, Mary Shelley needs to hear. Frankenstein’s influence is clear in this Gothic-infused middle-grade novel—though knowledge of it is certainly not a prerequisite—and Carroll (In Darkling Wood, 2017) is adept at crafting tense, atmospheric backdrops. Effective as an introduction to a classic or as stand-alone horror-lite.

Kirkus Reviews (December 15, 2017)
’Twas a dark and stormy night in 1816 when several literary luminaries gathered at a Swiss villa to spin tales of unearthly terror. Beginning with their host, Lord Byron, the participants—who include Percy and Mary Shelley—embark upon their evening’s entertainment but are soon interrupted by the dramatic arrival of a blind English girl, famished and bearing mysterious scars. She has a shocking story of her own to tell, one that includes a comet that portends misfortune; the arrival in Somerset of a reclusive woman scientist, Francesca Stine; a ravening beast preying on livestock in the night; an arrogant cloaked gentleman lurking in graveyards; visions of imminent death; and horrific experiments in the name of science. The sole nonwhite character, Felix, is a former American slave who somehow acquired his freedom and sailed to Europe, where he was hired by Byron’s housekeeper. The inclusion of a courageous young person of color who is respected by the white people around him is a welcome novelty in historical fiction. Against the backdrop of the central mystery, the texture of daily life in Georgian England and some of the pressing social issues of the day are vividly portrayed. Suspenseful and atmospheric, the book features an afterword by the author about Mary Shelley’s Frankenstein and her inspiration for the characters and plot. An adventure story packed full to the brim with drama—and just the right amount of shivery, fearsome delight. (Horror. 9-14)

About the Author

After years of teaching English to secondary school students, Emma now writes full time. She graduated with distinction from Bath Spa University’s MA in Writing For Young People. In another life Emma wishes she’d written ‘Rebecca’ by Daphne Du Maurier.

She lives in the Somerset hills with her husband and three terriers. Her website is emmacarrollauthor.wordpress.com/

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Pitch Dark by Courtney Alameda

Pitch Dark by Courtney Alameda. February 20, 2018. Fiewel & Friends, 378 p. ISBN: 9781250085894.  Int Lvl: YA; Rdg Lvl: YA; Lexile: 770.

Set against a future of marauding space scavengers and deadly aliens who kill with sound, here is a frightening, fast-paced YA adventure from the author of the acclaimed horror novel, Shutter.

Tuck has been in stasis on the USS John Muir, a ship that houses Earth’s most valued artifacts—its natural resources. Parks and mountains are preserved in space.

Laura belongs to a shipraiding family, who are funded by a group used to getting what they want. And they want what’s on the Muir.

Tuck and Laura didn’t bargain on working together, or battling mutant aliens who use sound to kill. But their plan is the only hope for their crews, their families, and themselves.

In space, nobody can hear you scream . . . but on the John Muir, the screams are the last thing you’ll hear.

Potentially Sensitive Areas: Mild language, Mild sexual themes, Physical abuse

 

Reviews

School Library Journal
Before humans made Earth completely unlivable, the Exodus project was launched, sending out manned spacecrafts to begin the process of planetary colonization. Among them, the USS John Muir carried the soil and plant life needed for terraforming. That was 400 years ago. The ships were lost; now, finding them is the last hope for human survival. In this intense sci-fi thriller, Alameda paints a bleak picture of the future and poses the question: Is the human species worthy of being saved? Two teen protagonists provide the first-person play-by-play in alternating chapters. Tuck, a white self-deprecating loner, belatedly awakens from stasis aboard the John Muir to discover most of the crew are missing and the ship is overrun with deadly monsters. Shocked by the passage of time and keenly aware of how unlikely it is they’ll be found, Tuck shows little concern for death in keeping the ship operational. Laura, a talented hacker and budding archaeologist of Latinx heritage, searches with her family for the original Exodus ships in hopes of finding and salvaging valuable cargo. When Laura’s ship’s computer is hijacked by terrorists, Tuck and Laura are the only two people capable of saving their crews and, possibly, the entire human species. The nail-biting plot will keep teens engaged, even though the terrifying monsters are poorly explained. The budding romance between the two complex protagonists takes a backseat to the high-octane action. —Cary Frostick, formerly at Mary Riley Styles Public Library, Falls Church, VA

About the Author

A veteran bookseller and librarian, Courtney Alameda now spends her days writing thriller and horror novels for young people. Her debut novel, Shutter, was nominated for a Bram Stoker award and hailed as a “standout in the genre” by School Library Journal. Her forthcoming novel, Pitch Dark (Spring 2017), is a genre-blending science fiction/horror novel in the vein of Ridley Scott’s 1979 film Alien.

Courtney holds a B.A. in English literature with an emphasis in creative writing. She is represented by the talented John M. Cusick of Folio Literary. A Northern California native, she now resides in Utah with her husband, a legion of books, and a tiny five pound cat with a giant personality. Her website is www.courtneyalameda.com.

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Hellwalkers by Alexander Gordon Smith

Hellwalkers by Alexander Gordon Smith. November 7, 2017. Farrar, Straus and Giroux, 320 p. ISBN: 9780374301743.  Int Lvl: YA; Rdg Lvl: YA; Lexile: 810.

In the third and final book of Alexander Gordon Smith’s Devil’s Engine series, Marlow and Pan are in hell. Literally in hell. Faced with the awful truth of being trapped in the underworld for an eternity―of Pan being trapped―Marlow makes a final deal with the Devil, a deal to go home. But when Marlow and Pan return to Earth, they cannot close the door behind them. And all hell breaks loose. It is a war to end all wars―demonic creatures spill into the streets of New York, monsters haunt the shadows. Only the Hellraisers stand in their way, and they’re not sure this is a battle they can win. They have no powers, they have no weapons. But they have each other, and they have hope, and they know how to kick ass.

Only one thing’s for sure: One way or another, it all ends here.

Sequel to: Hellfighters

Part of series: The Devil’s Engine (Book 3)

Potentially Sensitive Areas: Mild language; Grotesque violence

 

 

About the Author

Alexander Gordon Smith is the author of the Escape from Furnace series of young adult novels, including Lockdown and Solitary. Born in 1979 in Norwich, England, he always wanted to be a writer. After experimenting in the service and retail trades for a few years, Smith decided to go to University. He studied English and American Literature at the University of East Anglia, and it was here that he first explored his love of publishing. Along with poet Luke Wright, he founded Egg Box Publishing, a groundbreaking magazine and press that promotes talented new authors. He also started writing literally hundreds of articles, short stories and books ranging from Scooby Doo comic strips to world atlases, Midsomer Murders to X-Files. The endless research for these projects led to countless book ideas germinating in his head. His first book, The Inventors, written with his nine-year-old brother Jamie, was published in the U.K. in 2007. He lives in England.  His website is www.alexandergordonsmith.com.

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Hellwalkers on Amazon

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There’s Someone Inside Your House by Stephanie Perkins

There’s Someone Inside Your House by Stephanie Perkins. September 26, 2017. Dutton Books for Young Readers, 289 p. ISBN: 9780525426011.  Int Lvl: YA; Rdg Lvl: YA.

Love hurts…

Makani Young thought she’d left her dark past behind her in Hawaii, settling in with her grandmother in landlocked Nebraska. She’s found new friends and has even started to fall for mysterious outsider Ollie Larsson. But her past isn’t far behind.

Then, one by one, the students of Osborne Hugh begin to die in a series of gruesome murders, each with increasingly grotesque flair. As the terror grows closer and her feelings for Ollie intensify, Makani is forced to confront her own dark secrets.

Potentially Sensitive Areas: Strong language, Strong sexual themes, Grotesque violence, Transphobia

 

Video Reviews

Reviews

Booklist (August 2017 (Vol. 113, No. 22))
Grades 9-12. The ever-popular Perkins (Isla and the Happily Ever After, 2014) takes a sharp turn out of YA romance in her latest offering, a clever—and, to fans, no doubt surprising—foray into the teen slasher genre. When Makani Young moved from her native Hawaii to her grandmother’s house in Nebraska, she thought her biggest concerns would be fitting in, putting her troubled past behind her, and navigating her attraction to a mysterious boy. She didn’t expect the students at Osborne High to start dying as murder after seemingly unconnected murder shocks the small town. And Makani certainly never expected herself to be targeted by the killer. Perkins deftly builds the suspense like a pro: an uneasy opening leads to some legitimately horrifying murders, and the identity of the killer isn’t quite as important as the motivation. Diverse characters, including a transgender boy, are folded into the tale. This is the same reliable formula that spawned the Scream franchise, and Perkins wields it to great effect: readers will be sleeping with one eye open.

Kirkus Reviews (August 1, 2017)
Someone is murdering high school students. Most freeze in fear, but a brave few try to stop the killings.Senior Makani Young has been living in corn-obsessed Nebraska for just a little over a year. She has developed a crush and made some friends, but a dark secret keeps her from truly opening up to those around her. As the only half–African-American and half–Native Hawaiian student in her school, she already stands out, but as the killing spree continues, the press descends, and rumors fly, Makani is increasingly nervous that her past will be exposed. However, the charming and incredibly shy Ollie, a white boy with hot-pink hair, a lip ring, and wanderlust, provides an excellent distraction from the horror and fear. Graphic violence and bloody mayhem saturate this high-speed slasher story. And while Makani’s secret and the killer’s hidden identity might keep the pages turning, this is less a psychological thriller and more a study in gore. The intimacy and precision of the killer’s machinations hint at some grand psychological reveal, but lacking even basic jump-scares, this tale is high in yuck and low in fright. The tendency of the characters toward preachy inner monologues feels false. Bloody? Yes. Scary? No. (Horror. 14-16)

About the Author

Stephanie Perkins is the New York Times bestselling author of Anna and the French Kiss. She has always worked with books—first as a bookseller, then as a librarian, and now as a novelist. Stephanie lives in the mountains of North Carolina with her husband. Every room of their house is painted a different color of the rainbow.

Her website is www.stephanieperkins.com

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There’s Someone Inside Your House on Amazon

There’s Someone Inside Your House on Goodreads

There’s Someone Inside Your House on JLG

There’s Someone Inside Your House Publisher Page

Poe: Stories and Poems by Gareth Hinds

Poe: Stories and Poems by Gareth Hinds. August 1, 2017. Candlewick Press, 120 p. ISBN: 9780763681128.  Int Lvl: YA; Rdg Lvl: YA; Lexile: 960.

In a thrilling adaptation of Edgar Allan Poe’s best-known works, acclaimed artist-adapter Gareth Hinds translates Poe’s dark genius into graphic-novel format.

It is true that I am nervous. But why will you say that I am mad?

In “The Cask of Amontillado,” a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In “The Masque of the Red Death,” a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can’t see his tormentors in “The Pit and the Pendulum,” and in “The Tell-Tale Heart,” a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems — “The Raven,” “The Bells,” and Poe’s poignant elegy to lost love, “Annabel Lee.” The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror.

Potentially Sensitive Areas: Mild language, Violence, Alcohol, Smoking, Bloody images

 

Book Trailer

Reviews

Booklist (July 2017 (Vol. 113, No. 21))
Grades 8-11. Veteran illustrator Hinds breathes vivid life into seven of Edgar Allan Poe’s most well-known stories and poems in his latest adaptation. Faithfully preserving the gothic tone of the original texts, from the macabre endpapers filled with symbols of death to the twisted anguished faces found throughout its pages, the author never shies away from the darkness found there, instead distilling Poe’s fascination with madness, death, and terror into single haunting images: a sliver of lamplight shines on a milky blue eye in “The Tell-Tale Heart,” and a shadowy black raven haunts a solitary figure reminiscent of Poe in its namesake poem. Color is used to full effect in each story; the garish colors of an ill-fated party foreshadow impending doom, while the saturated red surrounding a man about to die only serves to heighten the emotional intensity. Title pages include a key to the main themes and year of publication, while an author’s note provides an overview of Poe’s life and insight into each story and poem. A welcome addition for fans of graphic horror.

Horn Book Magazine (November/December, 2017)
Graphic novelist Hinds (The Odyssey, rev. 11/10; Macbeth, rev. 3/15) continues his tour through the classics as he takes on the work of Edgar Allan Poe, adapting three poems (“Annabel Lee,” “The Bells,” and “The Raven”) and four stories (“The Masque of the Red Death,” “The Cask of Amontillado,” “The Pit and the Pendulum,” and “The Tell-Tale Heart”). A “Poe Checklist” at the beginning enumerates a dozen common themes and tropes (e.g., “creepy animals,” “premature burial”), and the title page for each entry lists those that are pertinent. As always, Hinds’s adaptations lean heavily on the original language of the text with an eye toward accessibility for the modern reader and an understanding that the illustrations will carry a good portion of the narrative. Hinds’s varied illustrations are a good match for Poe’s atmospheric blend of horror and mystery. The pictures are often dark and shadowy, but color is used judiciously throughout to great effect; “The Masque of the Red Death” has abundant flourishes of red, for example, while “The Raven” is in black and white. Striking imagery, too, catches the eye and the imagination. The final spread of “The Bells” looks up into a bright full moon to see not just the church bell but also the ghouls looking like veritable gargoyles come to life. An appended author’s note gives general background on Poe and additional insight into each story or poem. jonathan hunt

About the Author

Gareth Hinds is the acclaimed creator of the graphic novels Macbeth, The Odyssey, Beowulf, Romeo and Juliet, The Merchant of Venice, and King Lear. Gareth Hinds lives near Washington, D.C.

Her website is www.garethhinds.com

Around the Web

Poe: Stories and Poems on Amazon

Poe: Stories and Poems on Goodreads

Poe: Stories and Poems on JLG

Poe: Stories and Poems Publisher Page

Elizabeth and Zenobia by Jessica Miller

Elizabeth & Zenobia by Jessica Miller. September 19, 2017. Harry N. Abrams, 208 p. ISBN: 9781419727245.  Int Lvl: 3-6; Rdg Lvl: 3.8; Lexile: 670.

Abandoned by her mother and neglected by her scientist father, timid Elizabeth Murmur has only her fearless friend, Zenobia, for company. And Zenobia’s company can be very trying! When Elizabeth’s father takes them to live in his family home, Witheringe House, Zenobia becomes obsessed with finding a ghost in the creepy old mansion and forces Elizabeth to hold séances and wander the rooms at night. With Zenobia’s constant pushing, Elizabeth investigates the history of the house and learns that it does hold a terrible secret: Her father’s younger sister disappeared from the grounds without a trace years ago.

Elizabeth and Zenobia is a wonderfully compelling middle-grade story about friendship, courage, and the power of the imagination.

Potentially Sensitive Areas: Eerie content

 

Reviews

Booklist starred (August 2017 (Vol. 113, No. 22))
Grades 4-7. Elizabeth’s best friend Zenobia (others might claim she’s imaginary, but she’s vividly real to Elizabeth) is utterly convinced there’s a ghost at Witheringe House, and she’s determined to use all her divining skills to find it. Elizabeth is terrified at the prospect, but she joins the hunt anyway, especially after mysterious pages of a fairy tale about a magical kingdom of plants appear in a book only at midnight, and she learns about her father’s late sister, Tourmaline, who disappeared from Witheringe House at age seven. Elizabeth and Zenobia’s polar-opposite personalities make the mood pretty playful at the beginning, but debut author Miller keeps the story certifiably eerie, thanks to a creepy gardener, weed-choked hedge maze, and mutating wallpaper in the abandoned nursery. As Elizabeth gets braver and more insistent on finding Tourmaline, Miller amplifies the wondrous-yet-weird elements of Witheringe House until they snowball into ghastly, creeping nightmares. Her spare, evocative language and direct sentences contribute to the suspenseful pacing, particularly toward the end, when the Plant Kingdom gets truly invasive. Comical characters, ghost story tropes, and a lively pair of intrepid protagonists help keep this spooky novel from getting too scary, and Bryksenkova’s faux-naïf illustrations contribute. Fans of Kenneth Oppel’s The Nest (2015) will appreciate this similarly atmospheric, haunting tale.

Kirkus Reviews starred (June 15, 2017)
Debut novelist Miller concocts a blend of Gothic horror and spine-tingling mystery. Elizabeth feels lonely and forgotten when her father moves her to his ancestral home, Witheringe House, after her mother abandons the two of them. At least best friend Zenobia has come along, though with her contrary nature, Zenobia is not exactly a comfort. She’s also not exactly real. That is, not to anyone except Elizabeth. Aussie Miller sets her tale in the gauzy nebulousness of the early 20th century, delivering a stunning slow burn full of creepy atmospheric tension and heartbreaking loneliness. The back-and-forth dialogue between Elizabeth and her imaginary companion is laced with tension—give and take—illustrating the tumultuous extremes of Elizabeth’s psyche. Add a family nursery and wallpaper gardens in which the plant life appears real, a family cemetery, plus an alter ego in search of spirits from beyond and an ending as unpredictable as the beginning or middle—and what readers get is a fascinating tale that feels like Edgar Allen Poe, revisited. Miller’s painstaking crafting of language and attention to atmospheric detail create a clever story where nothing is as it seems. Drawings reminiscent of Gorey and references to gloomy classic poetry add beguiling texture. Eerie and dazzling—a perfect book for a dark and stormy afternoon or a favorite graveyard reading spot. (Horror. 9-13)

About the Author

Jessica Miller is a children’s writer and PhD student from Brisbane, Australia. She currently lives in Germany. Elizabeth and Zenobia is her first novel.

 

Around the Web

Elizabeth and Zenobia on Amazon

Elizabeth and Zenobia on Goodreads

Elizabeth and Zenobia on JLG

Elizabeth and Zenobia Publisher Page

Thornhill by Pam Smy

Thornhill by Pam Smy. August 29, 2017. Roaring Brook Press, 544 p. ISBN: 9781626726543.  Int Lvl: 5-8; Rdg Lvl: 3.3.

Parallel stories set in different times, one told in prose and one in pictures, converge as a Ella unravels the mystery of the girl next door.

1982: Mary is a lonely orphan at the Thornhill Institute For Children at the very moment that it’s shutting its doors. When her few friends are all adopted or re-homed and she s left to face a volatile bully alone, her revenge will have a lasting effect on the bully, on Mary, and on Thornhill itself.

2016: Ella has just moved to a new town where she knows no one. From her room on the top floor of her new home, she has a perfect view of the dilapidated, abandoned Thornhill Institute across the way, where she glimpses a girl in the window. Determined to befriend the girl, Ella resolves to unravel Thornhill’s shadowy past.

Told in alternating, interwoven plotlines Mary s through intimate diary entries and Ella s in bold, striking art Pam Smy s Thornhill is a haunting exploration of human connection, and a suspense-filled story

Potentially Sensitive Areas: Discrimination, Murder, Bullying, Arson

 

Reviews

Booklist (August 2017 (Online))
Grades 5-8. Dual stories set decades apart unfold together in this hybrid novel told in diary entries and eerie grayscale illustrations. More than 30 years ago, Mary Baines kept a diary about her life at Thornhill, an orphanage, and the cruel torment she experienced at the hands of another girl there. Meanwhile, in the present, Smy’s cinematic artwork shows lonesome Ella curious about the dilapidated former orphanage outside her window and the newspaper clippings she finds about a girl who went missing there, named Mary Baines. As Mary becomes more and more tormented for her love of books and the strange puppets she makes in her room, Ella sneaks onto Thornhill’s grounds and finds remnants of Mary’s dolls, which she takes home and lovingly repairs before returning them. The interplay between Mary’s diary entries and the images of Ella’s investigation builds depth in both girls’ narratives, though Ella’s can be a bit harder to decipher. Still, the enigmatic narrative, believable horrors, and haunting conclusion will be riveting for fans of ghost stories.

Kirkus Reviews starred (June 15, 2017)
Decades after the tragedy at and closure of gothic Thornhill Institute, a new girl in town is drawn into its story.The past storyline is told through white, orphaned Mary’s diary entries (dated in the early 1980s); white preteen Ella’s modern, voiceless story unfolds, Wonderstruck-like, in intercut, illustrated, wordless sequences (frames of which occasionally have text, such as newspaper clippings). Selectively mute Mary is a puppet-making, literature-loving outcast at Thornhill, her situation complicated by the return of her chief tormenter and the ringleader of the other girls, back from a failed foster placement. These are Thornhill’s last days, the girls being sent to new placements so the property can be developed. Stoic Mary thinks she just wants to be left alone, until a taste of irresistible friendship turns to cruelty. In the present, lonely Ella is intrigued by Thornhill, especially the girl she sometimes sees beyond the locked walls. She sneaks onto the grounds, finds puppets, and repairs them before returning them, striking up an odd, at-a-distance friendship with the mysterious girl—who, she realizes, is likely the dead girl from the orphanage’s past. The puppets and doll figures take a familiar creepy motif and make it a source of joy and comfort. The striking monochromatic art is atmospheric and emotional in an understated way that gives it more power rather than less. It’s capped by an ambiguous climax and chilling denouement. Beautiful, moody, sad, and spooky—all at once. (Horror/graphic hybrid. 10-adult)

About the Author

Pam Smy studied Illustration at Cambridge School of Art, part of Anglia Ruskin University, where she now lectures part-time. Pam has illustrated books by Conan Doyle (The Hound of the Baskervilles), Julia Donaldson (Follow the Swallow) and Kathy Henderson (Hush, Baby, Hush!), among others. She lives in Cambridge.

Her website is pamsmy.blogspot.com

Around the Web

Thornhill on Amazon

Thornhill on Goodreads

Thornhill on JLG

Thornhill Publisher Page

Spirit Hunters by Ellen Oh

Spirit Hunters by Ellen Oh. July 25, 2017. HarperCollins, 288 p. ISBN: 9780062430083.  Int Lvl: 5-8; Rdg Lvl: 5.7; Lexile: 680.

We Need Diverse Books founder Ellen Oh returns with Spirit Hunters, a high-stakes middle grade mystery series about Harper Raine, the new seventh grader in town who must face down the dangerous ghosts haunting her younger brother. A riveting ghost story and captivating adventure, this tale will have you guessing at every turn!

Harper doesn’t trust her new home from the moment she steps inside, and the rumors are that the Raine family’s new house is haunted. Harper isn’t sure she believes those rumors, until her younger brother, Michael, starts acting strangely. The whole atmosphere gives Harper a sense of déjà vu, but she can’t remember why. She knows that the memories she’s blocking will help make sense of her brother’s behavior and the strange and threatening sensations she feels in this house, but will she be able to put the pieces together in time?

Potentially Sensitive Areas: Dark subject matter including allusions to self-harm, Grotesque imagery

 

Book Trailer

Reviews

Booklist starred (May 1, 2017 (Vol. 113, No. 17))
Grades 4-7. Harper feels it from the second her family moves into the creaky, old house: there is something deeply evil lurking there. She’s always been attune to the spirit world, a fact that has frightened her parents into denial. She even had an encounter with a ghost so terrifying and damaging that she was sent to a mental institution for a while. This relocation to D.C. was supposed to be a fresh start for their family, but Harper soon realizes with horror that her sweet little brother Michael is being possessed by the malevolent ghost of an evil boy who died in the house years before. As Michael grows more and more violent under the spirit’s control, Harper realizes that her family is in grave danger. Can she learn to master her powers and conquer her fears to defeat the spirit before it overtakes her brother completely? Oh’s book is truly and deeply creepy, with increasingly haunting and disturbing imagery culminating in a wonderful and terrifying battle of spirits. Even more impressive than the shiver factor is the way the author skillfully uses the compelling premise to present a strong, consistent message of not rejecting what you don’t understand—a most welcome message.

Kirkus Reviews (May 15, 2017)
A neophyte Korean shaman, or “mudang,” takes center stage in this chilling thriller by Oh, of We Need Diverse Books.The story starts when mixed-race 12-year-old Harper Raine, who is half white and half Korean, moves into a new home in Washington, D.C., that her new Jamaican friend, Dayo, tells her is haunted. Before the Raines left New York City, Harper survived both a fire and a traumatizing illness, but she has blocked all memories of these events. The creepiness ramps up in mind, gut, and heart as readers see Harper’s little brother making a new “friend” in their home. As she witnesses an evil spirit slowly overtaking her brother, Harper’s memories begin to resurface. While Harper selflessly tries to save her brother’s life from multiple evils, she juggles the psychological conflict of her mother’s broken relationship with Harper’s beloved Korean grandmother, who lives nearby. The tension of the life-ending danger stretches across sometimes confusingly paced chapters, as help arrives slowly. While the writing level skews young, the graphic content is gruesome. Readers will not want harm to come to the likable Raine family. The well-rounded and diverse cast provides interesting cultural touchstones of Korean and Jamaican heritage throughout the novel. Korean shamanism, specifically, is explored with respect and curiosity. Combining Korean-American experience with ancient cultural traditions for a new twist on exorcism, this tale’s for beginning horror fans and readers looking for a decent scare. (Horror. 10-14)

About the Author

Originally from New York City, Ellen Oh is the founder of We Need Diverse Books and the author of the Prophecy trilogy (ProphecyWarrior, and King) for young adults. Spirit Hunters is her fourth book and her first for middle grade readers. A former adjunct college instructor and lawyer with an insatiable curiosity for ancient Asian history, Ellen lives in Bethesda, Maryland, with her husband and three daughters and has yet to satisfy her quest for a decent bagel.

Her website is www.ellenoh.com

Around the Web

Spirit Hunters on Amazon

Spirit Hunters on Goodreads

Spirit Hunters on JLG

Spirit Hunters Publisher Page

Spill Zone by Scott Westerfield

Spill Zone by Scott Westerfield. May 2, 2017. First Second, 211 p. ISBN: 9781596439368.  Int Lvl: YA; Rdg Lvl: YA.

Three years ago an event destroyed the small city of Poughkeepsie, forever changing reality within its borders. Uncanny manifestations and lethal dangers now await anyone who enters the Spill Zone.

The Spill claimed Addison’s parents and scarred her little sister, Lexa, who hasn t spoken since. Addison provides for her sister by photographing the Zone’s twisted attractions on illicit midnight rides. Art collectors pay top dollar for these bizarre images, but getting close enough for the perfect shot can mean death or worse.

When an eccentric collector makes a million-dollar offer, Addison breaks her own hard-learned rules of survival and ventures farther than she has ever dared. Within the Spill Zone, Hell awaits and it seems to be calling Addison’s name.

Part of series: The Spill Zone (Book 1)

Potentially Sensitive Areas: Strong language, Violence, Smoking, Gore, Horror themes

 

Author Interview

Reviews

Booklist starred (April 15, 2017 (Vol. 113, No. 16))
Grades 9-12. As he did in the YA favorite Uglies (2005), Westerfeld crafts a world drastically and subtly altered by an extranormal development, then rivetingly explores its practical and psychological consequences. The development in this case is something otherworldly that has “spilled” into a small town in upstate New York. Addison illegally penetrates the spill zone to photograph its disturbing effects on people, animals, and environment and sells the pictures as black-market art to support her little sister, an escapee from the spill zone but not, perhaps, from its effects. When Addison is approached with a shady deal to penetrate the zone more deeply than ever before, she will have to break every rule she’s ever set to buy freedom for her sister and herself. Westerfeld handles the spooky business of the infected town magnificently, spiking the eerie and inexplicable with moments of genuine horror while always keeping the emotional tensions of his highly accessible teenage protagonist at the center. Puvilland provides rough, gritty visuals that deliver on the haunted world of the zone as well as the more realistic world of subterfuge and danger that Addison must navigate. The story breaks at a high-tension moment with plenty left to resolve in book two, but it is nevertheless a terrifically satisfying read.

Horn Book Magazine (May/June, 2017)
This first entry in a creepy, addictively suspenseful graphic novel series makes for compulsive reading. Three years ago, something very strange happened in Poughkeepsie, New York–no one is certain exactly what–but weird things happened in the city and weird things now populate it. Although the entire Spill Zone has been cordoned off, Addie continues to live just inside the checkpoint with her younger sister, Lexa (who doesn’t speak, except to her doll Vespertine), after losing both parents in the Spill. Addie regularly and illegally rides through the Spill Zone on her motorcycle, photographing the bizarre things she witnesses and selling her pictures to a local art dealer. Then a wealthy collector (who, it turns out, has bought up all of Addie’s photographs) makes her an offer she can’t refuse: a million dollars for retrieving a single item from a building inside the Spill Zone. As Addie sets out on her mission, the local authorities discover that she is the rogue motorcyclist; the North Koreans (who are also interested in this item) begin to close in; and, worst of all, Vespertine becomes animated by the same evil presence that permeates the Spill Zone. Puvilland’s dynamic panel layouts, striking use of unexpected colors, and sketchy line work serve the story well while conveying the unsettling mood of the piece. Westerfeld has set up his series with a provocative premise, and as the precise nature of the Spill Zone continues to be revealed, the stakes are sure to be raised accordingly in future volumes. jonathan hunt

About the Author

Scott Westerfeld is a New York Times bestselling author of YA. He was born in the Texas and now lives in Sydney and New York City. In 2001, Westerfeld married fellow author Justine Larbalestier.

His website is www.scottwesterfield.com.

 Around the Web

Spill Zone  on Amazon

Spill Zone on Goodreads

Spill Zone on JLG

 

Spill Zone Publisher Page

Shirley Jackson’s ‘The Lottery’ by Miles Hyman

Shirley Jackson’s “The Lottery”: The Authorized Graphic Adaptation by Miles Hyman. October 25, 2016. Hill and Wang, 160 p. ISBN: 9780809066490.  Int Lvl: AD; Rdg Lvl: AD; Lexile: 560.

The classic short story–now in full color

Shirley Jackson’s short story “The Lottery” continues to thrill and unsettle readers nearly seven decades after it was first published. By turns puzzling and harrowing, “The Lottery” raises troubling questions about conformity, tradition, and the ritualized violence that may haunt even the most bucolic, peaceful village.

This graphic adaptation by Jackson’s grandson Miles Hyman allows readers to experience “The Lottery” as never before, or to discover it anew. He has crafted an eerie vision of the hamlet where the tale unfolds and the unforgettable ritual its inhabitants set into motion. Hyman’s full-color, meticulously detailed panels create a noirish atmosphere that adds a new dimension of dread to the original story.

Shirley Jackson’s “The Lottery”: The Authorized Graphic Adaptation stands as a tribute to Jackson, and reenvisions her iconic story as a striking visual narrative.

Potentially Sensitive Areas: Violence; depiction of nudity

 

Reviews

Booklist (October 15, 2016 (Vol. 113, No. 4))
Grades 9-12. Shirley Jackson’s short story “The Lottery” gets graphic treatment by the author’s grandson in this adaptation of her most well-known work. Using an effective combination of striking visual images and pithy snippets of dialogue, the story, about an annual ritual of sacrifice in a small town and the dangers of blindly following tradition, is distilled to its brutal core. The story is well served by the bold illustrations—intensely saturated color work seems at first incongruous with iconic images that hearken back to the mid-twentieth century, but it lends intensity to the panels. Hyman has a keen eye for composition and creates strong visual interest with unusual angles, using a variety of panel sizes and perspectives to pull the reader in as the scenes unfold from different viewpoints. Lonesome street scenes and empty fields only heighten the sense of isolation and unease delivered by the text, and deliberate visual pacing during a pivotal scene focuses all the reader’s attention on the drama swiftly unfolding. One of the strongest graphic adaptations of a classic work to come along in some time.

Kirkus Reviews starred (August 1, 2016)
A stunning graphic adaptation of a chilling classic. Hyman, grandson of Shirley Jackson, original author of “The Lottery,” offers his interpretation of her iconic story. In it, townspeople gather to partake in a disturbing tradition—the origins of and reasons for which we are not told. There is mention of bigger towns, where the lottery takes two days, and talk of other, radical towns where the lottery has been eliminated altogether. To follow their lead would mean regressing to living in caves and “eating stewed chickweed and acorns.” Each head of family must draw from an heirloom box a slip of paper. He who draws the slip with the black, circular mark is chosen; his family must draw again. The member of his family who draws the marked slip will be stoned, presumably to death, by the rest of the town, including the remaining family members. Hyman’s illustrations are powerful: rich and evocative graphic realism, softly colored, marrying Rockwell-ian and American Gothic style. The tone, at first, is both ominous and mundane. As the townspeople gather in the June sun, they banter with familiar ease—“Wouldn’t have me leave m’dishes in the sink, now, would you, Joe?”—but beneath the banal, the mood is decidedly baleful. When the black spot is drawn, the mood, along with the color scheme, shifts dramatically: both are immediately drained of the bucolic and sonorous. The rest of the story is starkly depicted in black, white, and harvest orange. The most unnerving illustration depicts a small boy taking up a fistful of child-sized rocks to aim at his pleading mother.A haunting story of humanity’s herd mentality, brilliantly rendered.

About the Author

A Vermont native, artist and author Miles Hyman currently lives in Paris. His prize-winning adaptation, with screenwriters Matz and David Fincher, of James Ellroy’s novel “The Black Dahlia” appeared to rave reviews in 2013. Upcoming publications include his authorized graphic adaptation of his grandmother Shirley Jackson’s thrilling masterpiece, “The Lottery” (Hill and Wang, October 2016).

Her website is www.mileshyman.com.

Teacher Resources

The Lottery Lesson Plans

Around the Web

Shirley Jackson’s “The Lottery” on Amazon

Shirley Jackson’s “The Lottery” on Goodreads

Shirley Jackson’s “The Lottery” on JLG

Shirley Jackson’s “The Lottery” Publisher Page