Debuting on the New York stage, Zara is unprepared—for Eli, the girl who makes the world glow; for Leopold, the director who wants perfection; and for death in the theater.
Zara Evans has come to the Aurelia Theater, home to the visionary director Leopold Henneman, to play her dream role in Echo and Ariston, the Greek tragedy that taught her everything she knows about love. When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.
Potentially Sensitive Areas: Strong sexual themes, Drugs, Underage drinking
Booklist (September 15, 2017 (Vol. 114, No. 2))
Grades 9-12. All theaters have their ghosts, but death is another matter. Death is exactly what Zara Evans encounters when she comes to the Aurelia Theater. New to professional theater, Zara has nevertheless been cast as Echo in the Greek tragedy Echo and Ariston, a role she’s always coveted. The legendary—and difficult—director Leopold Henneman, who claims to have visions, helms the production, and he demands excellence, something that’s easier said than done when members of the cast and crew start dying and people start saying the theater is haunted. As tragedies, both onstage and off, roll through the Aurelia, Zara grows close to Eli Vasquez, the assistant lighting designer. The two girls’ friendship blossoms into romance, and for Zara, it’s a light in a world that grows darker by the day: curse or no curse, there is something wicked in the Aurelia. With timeless, literary prose, Capetta spins a tale that is haunting indeed. Part love story and part mystery, this eerie offering studded with intriguing, secretive characters is beautiful and strange.
Kirkus Reviews (September 1, 2017)
What do you do when all your dreams come true? What happens if those dreams have a nightmarish edge? Capetta explores the consequences of soured dreams in her latest.When 18-year-old Jewish Zara is cast in her dream roll of Echo in a Broadway production of the Greek tragedy Echo and Ariston, she believes all her hopes are falling into place. It seems even so when she falls unexpectedly for 19-year-old Latina lighting designer Eli (short for Eliza). Yet, amid the thrill of the stage and new romance, signs of cracks in the facade begin to appear. Almost as soon as she arrives in New York City to begin rehearsals, mysterious deaths begin to occur, and eventually Zara herself is in danger. Capetta deftly shifts the tone of the third-person-limited narrator in each chapter to highlight the distinct personalities and motives of the main characters. The style tries to balance the novel between a literary romance and a psychological thriller, occasionally faltering. The suspenseful plot can become tangled in metaphor, hampering the action, especially at the climax. Nevertheless, this tale will appeal to older teen audiences and likely some adults who enjoy their thrillers steamy, with more than a dash of romance.A twisted tale of theater, conspiracy, and romance that, like its protagonist, sometimes struggles with a minor identity crisis. (Romantic thriller. 14-adult)
About the Author
Amy Rose Capetta studied theater at the Stella Adler Studio as a teenager before spending four years in a Shakespeare troupe. Echo After Echo is her first book with Candlewick Press.
Amy Rose Capetta lives in Michigan. Her website is amyrosecapetta.com.
Around the Web
Echo After Echo on Amazon
Echo After Echo on Goodreads
Echo After Echo on JLG
Echo After Echo Publisher Page