Stolen Girl by Marsha Forchuk Skrypuch

Stolen Girl by Marsha Forchuk Skrypuch. February 26, 2019. Scholastic Press, 208 p. ISBN: 9781338233049.  Int Lvl: 3-6; Rdg Lvl: 5.9; Lexile:.

Nadia is haunted by World War II. Her memories of the war are messy, coming back to her in pieces and flashes she can’t control. Though her adoptive mother says they are safe now, Nadia’s flashbacks keep coming.

Sometimes she remembers running, hunger, and isolation. But other times she remembers living with a German family, and attending big rallies where she was praised for her light hair and blue eyes. The puzzle pieces don’t quite fit together, and Nadia is scared by what might be true. Could she have been raised by Nazis? Were they her real family? What part did she play in the war?

What Nadia finally discovers about her own history will shock her. But only when she understands the past can she truly face her future.

Inspired by startling true events, Marsha Forchuk Skrypuch delivers a gripping and poignant story of one girl’s determination to uncover her truth.

Potentially Sensitive Areas: Discrimination, Harsh realities of war, Antisemitism

 

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Reviews

Booklist (January 1, 2019 (Vol. 115, No. 9))
Grades 5-8. After the conclusion of WWII in Europe, Nadia and her adoptive parents arrive in Canada for a new life. Despite being in a new country, Nadia is haunted by memories that reveal glimpses of her life before the war. She remembers being hungry and running to escape something, yet she also remembers living with a German family and being praised for her Aryan complexion. Confused by these memories, Nadia fears the truths that they may hold as she tries to adapt to a world where she can live without fear. Skrypuch’s latest novel is a companion to Making Bombs for Hitler (2017). Filled with historical detail, it highlights a forgotten and horrifying aspect of WWII where children were stolen from various parts of Europe by the Nazis in order to build a master race. Because of the flashbacks, readers are provided with glimpses into the horrors of Nadia’s past but can perceive themes of discovery and healing. A fascinating, compelling read.

Kirkus Reviews (November 15, 2018)
A 12-year-old Ukrainian girl arrives in Canada after World War II and struggles to make sense of her jumbled memories of battle-scarred Germany. After five years in a displaced persons camp, Nadia Kravchuk arrives in Brantford, Ontario, accompanied by her adoptive mother, Marusia. When Nadia’s fellow classmates are convinced by her blonde hair and blue eyes that she is a Nazi, Marusia repeatedly assures Nadia that’s not the case. Eventually, Nadia safely relives her trauma in order to solve the puzzle of who she really is—not Nadia Kravchuk nor Gretchen Himmel, the German identity she assumed to survive, but someone else entirely…Larissa, the younger sister of Lida, the protagonist of Skrypuch’s Making Bombs for Hitler (2016). The author once again deftly sheds light on lesser-known aspects of the Ukrainian experience during WWII. Via flashbacks and nightmares, she gradually fleshes out Nadia’s painful history of abduction from her original family and subsequent placement in a German household. As further explained in the author’s note, this was part of the Lebensborn program, an effort to identify and mark blond and blue-eyed Ukrainian children as Aryans and force them to live with Nazi families in order to augment the building of a master race. A gripping exploration of war-induced trauma, identity, and transformation. (author’s note)(Historical fiction. 8-12)

About the Author

Marsha Forchuk Skrypuch is the acclaimed author of 20+ books for young people including her popular WWII Making Bombs for Hitler novel trilogy and her non-fiction like Adrift at Sea: A Vietnamese Boy’s Story of Survival.

Marsha is dyslexic and didn’t learn to read until she was 9. The first book that she read and understood was Oliver Twist by Charles Dickens and reading that book over the course of a year when she was in grade 4 for the second time was a life-transforming experience. It taught her that reading wasn’t just a subject in school, but an immersive pleasure. By grade 8 she had read all of the big fat novels in the children’s department of the Brantford Public Library whose authors’ last names started with either A, B, C or D. By grade 9 she had figured out better ways to choose books.

Marsha now considers dyslexia to be a gift that helps her write the kinds of books that she does — about people plunged in war whose stories haven’t been told before and from perspectives rarely seen in children’s literature. Marsha has deep respect for the intelligence and compassion of her young readers and she writes the books she wishes she could have found to read when she was a kid.

Marsha loves speaking with students of all ages, especially those who are struggling academically or who feel “different”.

Her website is www.calla.com

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We Are Displaced by Malala Yousafzai

We Are Displaced: My Journey and Stories from Refugee Girls Around the World by Malala Yousafzai. January 8, 2019. Little, Brown Books for Young Readers, 224 p. ISBN: 9780316523646.  Int Lvl: 5-8; Rdg Lvl: 5.8.

In her powerful new book, Nobel Peace Prize winner and New York Times-bestselling author Malala Yousafzai introduces some of the people behind the statistics and news stories about the millions of people displaced worldwide.

Malala’s experiences visiting refugee camps caused her to reconsider her own displacement – first as an Internally Displaced Person when she was a young child in Pakistan, and then as an international activist who could travel anywhere in the world except to the home she loved. In We Are Displaced, which is part memoir, part communal storytelling, Malala not only explores her own story, but she also shares the personal stories of some of the incredible girls she has met on her journeys – girls who have lost their community, relatives, and often the only world they’ve ever known.

In a time of immigration crises, war, and border conflicts, We Are Displaced is an important reminder from one of the world’s most prominent young activists that every single one of the 68.5 million currently displaced is a person – often a young person – with hopes and dreams.

Potentially Sensitive Areas: Harsh realities of war, Racism, Violence

 

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Author Interview

Reviews

Booklist (February 15, 2019 (Vol. 115, No. 12))
Grades 9-12. Yousafzai recounts her own refugee journey as well as those of girls and women from political hot spots and war-torn countries, all refugees seeking a safe place to call home. Separated from family members and threatened by attack, they forge on in their struggle to survive. Yousafzai starts with her own journey. Acknowledging that, while displaced, she is not a refugee, she goes on to tell the stories of eight girls and two women, one a volunteer with World Church Services in Lancaster, Pennsylvania, and the other a woman returning to Uganda, having fled to Canada with her family when she was two years old. Yousafzai starts with a preface to each story, describing how she met each person, and then tells their story in first person, lending immediacy to each narrative and capturing each voice. Her writing is lucid and accessible and will attract a range of readers. The stories are heart-wrenching, compelling, and inspirational and, one hopes, will motivate readers to become involved locally. Epilogue and back matter unavailable for preview.

Kirkus Reviews starred (December 1, 2018)
In this uplifting work Yousafzai shares the survival stories of female refugees from around the world. Before she was a Nobel Peace Prize winner, Yousafzai was displaced. When she was just 11-years-old, the Taliban forced Yousafzai and her family to leave their idyllic home in the Swat Valley and join the ranks of Pakistan’s Internally Displaced Persons. Yousafzai recounts the agony of leaving behind her books, friends, and pet chickens and the disappointment of interrupted schooling. She also vividly describes the horror of seeing schools reduced to rubble as a result of bombings, an experience that both politicized her and forced her family into exile in England. The author devotes only about a quarter of the book to her own story, the remainder is a collection of oral histories from displaced women and girls from countries ranging from Yemen to Colombia to the Democratic Republic of Congo. Each refugee’s tale of survival is equal parts devastating and inspiring, and the narrators do not shy away from the complex, contradictory experiences of fleeing a homeland. The narratives are filled with emotionally specific descriptive details that render each voice powerful and unique. In the prologue, Yousafzai specifically states that her purpose is to transform refugees from nameless, faceless statistics into who they really are: humans whose identities are more than just their displaced status. A poignant, fascinating, and relevant read. (author’s note, background information, biographies) (Nonfiction. 13-adult)

About the Author

Malala Yousafzai is a Pakistani activist for female education and the youngest-ever Nobel Prize laureate. She is known for human rights advocacy, especially education of women in her native Swat Valley in Khyber Pakhtunkhwa, northwest Pakistan, where the local Taliban had at times banned girls from attending school. Her advocacy has since grown into an international movement.

Her website is www.malala.org/

Teacher Resources

We Are Displaced on Common Sense Media

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Let’s Go Swimming on Doomsday by Natalie C. Anderson

Let’s Go Swimming on Doomsday by Natalie C. Anderson. January 15, 2019. G.P. Putnam’s Sons Books for Young Readers, 352 p. ISBN: 9780399547614.  Int Lvl: YA; Rdg Lvl: YA.

Forced to become a child soldier, a sixteen-year-old Somali refugee must confront his painful past in this haunting, thrilling tale of loss and redemption for fans of A Long Way Gone and What is the What 

When Abdi’s family is kidnapped, he’s forced to do the unthinkable: become a child soldier with the ruthless jihadi group Al Shabaab. In order to save the lives of those he loves, and earn their freedom, Abdi agrees to be embedded as a spy within the militia’s ranks and to send dispatches on their plans to the Americans. The jihadists trust Abdi immediately because his older brother, Dahir, is already one of them, protégé to General Idris, aka the Butcher. If Abdi’s duplicity is discovered, he will be killed.

For weeks, Abdi trains with them, witnessing atrocity after atrocity, becoming a monster himself, wondering if he’s even pretending anymore. He only escapes after he is forced into a suicide bomber’s vest, which still leaves him stumps where two of his fingers used to be and his brother near death. Eventually, he finds himself on the streets of Sangui City, Kenya, stealing what he can find to get by, sleeping nights in empty alleyways, wondering what’s become of the family that was stolen from him. But everything changes when Abdi’s picked up for a petty theft, which sets into motion a chain reaction that forces him to reckon with a past he’s been trying to forget.

In this riveting, unflinching tale of sacrifice and hope, critically-acclaimed author Natalie C. Anderson delivers another tour-de-force that will leave readers at the edge of their seats.

Potentially Sensitive Areas: Mild sexual themes, Strong language, Violence, Torture

 

Reviews

Kirkus Reviews (December 15, 2018)
Abdi’s feelings of guilt begin when his brother Dahir is kidnapped by the jihadi group Al Shabaab in Mogadishu, Somalia, and he believes it is his fault. When American government operatives capture Abdi and his family and offer him a deal—their freedom in exchange for his infiltrating Al Shabaab—he believes he hasn’t much choice. Dahir has risen in the ranks, making Abdi useful to those hunting the group’s leaders. Abdi’s account shifts between his time undercover and his present in Sangui City, Kenya, following his escape. Sam, a white American working with the United Nations who is grappling with her own guilt over leaving a Christian cult, meets Abdi and finds him a place in a refugee girls’ boarding school by day, allowing him to sleep in her spare room. News of a possible placement in a foster family triggers an emotional deluge in which Abdi reveals all he’s been through. In a dramatic climax, Abdi must decide whether family and trust will triumph over fear. At times the dialogue between Sam and Abdi feels fanciful and the story drags with unnecessary detail, with some characters feeling underdeveloped. However, this is a riveting account of young people living through violence which successfully illustrates the nuance of intent among the jihadi fighters. Greed, guilt, and redemption are layered in a sober yet tender narrative showing the lengths one will go to for loved ones. (Fiction. 14-18)

School Library Journal (January 1, 2019)
Gr 7 Up-Abdi is just 12 years old when his older brother Dahir is kidnapped by Al Shaabab, an infamous Somali militia. Abdi feels guilty knowing that he might be the reason his brother was captured. Three years later, Abdi and his remaining family members are kidnapped by African Union Mission in Somalia. AMISOM is a collaborative effort between U.S. forces and the Somali army. After being brutally beaten by AMISOM soldiers for days, Abdi is brought before Mr. Jones, an American government official. Mr. Jones tells Abdi that Dahir is alive and is now a commander in Al Shaabab’s militia. Mr. Jones offers the possibility for a new life for Abdi and his family in exchange for his infiltration of Al Shaabab’s army. Abdi agrees, believing that with luck, he might save his family and his brother. Abdi infiltrates Al Shaabab only to learn that Dahir has been brainwashed completely. Abdi’s rescue attempt goes awry and he is forced to hideout in a refugee home for girls. The relationship he builds with the girls and his social worker slowly helps Abdi to remember who he is. An intriguing examination of ways familial loyalty and guilt can lead anyone to make desperate choices. Anderson uses the exploration of manipulation and coercion to craft a thought-provoking narrative.

About the Author

Natalie C. Anderson is a writer and international development professional living in Boston, Massachusetts. She has spent the last decade working with NGOs and the UN on refugee relief and development, mainly in Africa. She was selected as the 2014-2015 Associates of the Boston Public Library Children’s Writer in Residence, where she wrote her debut novel, City of Saints and Thieves.

Her website is www.nataliecanderson.com.

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Escape from Aleppo by N.H. Senzai

Escape from Aleppo by N.H. Senzai. January 2, 2018. Simon Schuster Books for Young Readers, 336 p. ISBN: 9781481472173.  Int Lvl: 3-6; Rdg Lvl: 4.9.

Nadia’s family is forced to flee their home in Aleppo, Syria, when the Arab Spring sparks a civil war in this timely coming-of-age novel from award-winning author N.H. Senzai.

Silver and gold balloons. A birthday cake covered in pink roses. A new dress. 

Nadia stands at the center of attention in her parents’ elegant dining room. This is the best day of my life, she thinks. Everyone is about to sing “Happy Birthday,” when her uncle calls from the living room, “Baba, brothers, you need to see this.” Reluctantly, she follows her family into the other room. On TV, a reporter stands near an overturned vegetable cart on a dusty street. Beside it is a mound of smoldering ashes. The reporter explains that a vegetable vendor in the city of Tunis burned himself alive, protesting corrupt government officials who have been harassing his business. Nadia frowns.

It is December 17, 2010: Nadia’s twelfth birthday and the beginning of the Arab Spring. Soon anti-government protests erupt across the Middle East and, one by one, countries are thrown into turmoil. As civil war flares in Syria and bombs fall across Nadia’s home city of Aleppo, her family decides to flee to safety. Inspired by current events, this novel sheds light on the complicated situation in Syria that has led to an international refugee crisis, and tells the story of one girl’s journey to safety.

Potentially Sensitive Areas: Mild language, War, Violence, Animal cruelty, Harsh realities of wars

 

Reviews

Booklist starred (November 15, 2017 (Vol. 114, No. 6))
Grades 4-7. Nadia is enjoying the best day of her life as her friends and loved ones are gathered around her, ready to sing “Happy Birthday,” when news arrives of Mohamed Bouazizi, a young man who set himself on fire to protest harassment and corruption of government officials in Tunisia. Nadia is not aware, but the elders in her family look on as the protests of the Tunisian Revolution begin to grow and spread into the Arab Spring, which soon finds its way to Nadia’s doorstep. As her family attempts to flee to Turkey and reunite with her father, their home is bombed and Nadia is left behind. With her cat, Mishmish, and the help of an old, mysterious man—Ammo Mazen—Nadia begins the journey. Flashbacks of Nadia’s life before the war are interspersed with those detailing her struggles to find her father. Nadia gains courage and trust throughout her journey, thanks to her companions, all while struggling to understand why there is such sadness and unfairness in this world. Filled with kindness and hope, but also with the harsh realities of the horrors of war, this heartbreaking book is a necessary reminder of what many people live through every day.

Kirkus Reviews (November 15, 2017)
Senzai (Ticket to India, 2015, etc.) tells the story of 14-year-old Nadia’s narrow escape from the ancient city of Aleppo in war-torn Syria as she desperately seeks her family, who accidentally left her behind.Two years into Syria’s civil war, the many armed rebel groups and the government forces are descending on Aleppo. Traumatized since her bomb injury, Nadia is pulled from under her bed as her family prepares to leave their home for a safer place. Although a relative has been assigned to monitor her, another bomb falls as they are exiting, and in the confusion, Nadia is left behind. Now she must recover from the shock and rely on her instincts, a seemingly kind old man she meets, and, ultimately, her own intelligence to make it out of Aleppo alive and find her family at the Turkish border. All of this she manages to do in fairly short order, with a series of rather abrupt changes in her psychological state. Through Nadia’s conversations with other characters and through extensive exposition, readers learn about the impressively vast and complex history of Aleppo and of Syria. The Arab Spring is also treated in detail. Nadia’s flashbacks give insight to life under dictatorship and the drastic changes introduced by war. Arabic words are italicized once, then printed in Roman type. Despite narrative hitches, a valuable introduction to the issues plaguing modern Syria and the costs of war in historically rich locales. (Historical fiction. 8-12)

About the Author

N.H. Senzai is the author of Shooting Kabul, which was critically acclaimed and on numerous award lists. Publishers Weekly called it “hard hitting, emotionally wrenching.” Her second book, Saving Kabul Corner, was nominated for an Edgar Award. She is also the author of Ticket to India and Escape from Aleppo.

Ms. Senzai lives in the San Francisco Bay Area with her family. Her website is www.nhsenzai.com.

Teacher Resources

Escape from Aleppo Reading Group Guide

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Escape from Aleppo on Amazon

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La Sombrilla Roja (The Red Umbrella) by Christina Diaz Gonzalez

La Sombrilla Roja by Christina Diaz Gonzalez. September 26, 2017.  Gables Publishing, 300 p. ISBN: 9780999214602.  Int Lvl: 5-8; Rdg Lvl: 3.8; Lexile: 590.

(Spanish version of the award-winning novel, The Red Umbrella)

In 1961, two years after the Cuban Communist revolution, LucIa Alvarez continues to live a normal teenage life, dreaming of parties and her first crush. But things in her country are changing. Freedoms are being stripped away. Neighbors disappear. Her friends feel like strangers. And her family is being watched.

As the revolution’s impact becomes more oppressive, LucIa’s parents make the heart-wrenching decision to send her and her little brother to the United States–through a secret, clandestine movement to save the children.

Arriving in the United States, LucIa is eventually sent to live with well-meaning strangers in Nebraska, but she struggles to adapt to a new country, a new language, a new way of life. And what of her old life? Will she ever see her parents, friends, or country again? And if she does, will she still be the same girl?

Based on the real events of Operation Pedro Pan where over 14,000 Cuban children were sent to the U.S. in the two year period between 1960-1962 and the author’s own family experience, this novel depicts the pain of losing one’s homeland and showcases the generosity of the American spirit.

Potentially Sensitive Areas: Guns, Mild language, Violence, Mild sexual themes

 

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Reviews

Booklist (August 2010 (Online))
Grades 6-10. When Castro comes to power, teenage Lucía wants nothing to do with the revolution; she is more worried about what to wear to the school dance. Then she witnesses the horrifying public hanging of her father’s boss, and her parents send her and her little brother, Frank, to safety in the U.S., where a church places them with a kind foster home in Nebraska. Based on the author’s parents’ story, Gonzalez’s first novel captures the heart-wrenching, personal drama of family separation. At the start of each chapter, a brief newspaper headline gives a glimpse into Cuban politics and history, but the core of Lucía’s first-person narrative is her emotional upheaval as she cares for Frank and tries to fit into her eighth-grade class, where everything is strange and different. The characters, including the loving, imperfect adults, are authentic, and teens will recognize Lucía’s rebellious moments, which sometimes get ugly, as well as her anguish over costly long-distance calls “home” and her hope for reunion with her family.

Kirkus Reviews (April 15, 2010)
This is the story of Lucía, a Cuban girl who, at the age of 14, leaves her hometown of Puerto Mijares and flies to the United States from Havana with her little brother, Frankie, but without their parents. After arriving at a temporary shelter, they are soon transferred to the Baxters’ home in Nebraska. Through Lucía’s captivating voice, readers travel in time to the year 1961, when members of the Cuban bourgeoisie witnessed the drastic transformation of their society into a communist system. While Lucía’s best friend, Ivette, and her secret sweetheart, Manuel, embrace the revolution and become, with their parents’ support, “brigadistas,” Lucía’s parents, a banker and a housewife, refuse to accept the changes imposed by the new government and make the heartbreaking and, for the times, shocking decision to send their daughter and son to a foreign country, without knowing if they would be able to see them again. Gonzalez enters the literary scene with this exceptional historical novel that portrays the beginning of the Cuban exodus. (Historical fiction. 10 & up)

About the Author

Christina Diaz Gonzalez is the award-winning author of several books including The Red Umbrella, A Thunderous Whisper, Moving Target, Return Fire, and an upcoming book in the Spirit Animals: Fall of the Beasts series. Christina’s books have received numerous honors and recognitions with publications such as Publisher’s Weekly, The Miami Herald, School Library Journal, and The Washington Post calling her novels engrossing, compelling, and inspirational.

Christina currently lives in Miami, Florida with her husband, sons, and a dog that can open doors.  Her website is www.christinagonzalez.com.

Teacher Resources

The Red Umbrella Educator’s Guide

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La Sombrilla Roja on Amazon

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How Dare the Sun Rise by Sandra Uwiringiyimana

How Dare the Sun Rise: Memoirs of a War Child by Sandra Uwiringiyimana. May 16, 2017. Katherine Tegen Books, 304 p. ISBN: 9780062470140.  Int Lvl: YA; Rdg Lvl: YA; Lexile: 790.

In this powerful memoir, Sandra Uwiringyimana, a girl from the Democratic Republic of the Congo, tells the incredible true story of how she survived a massacre, immigrated to America, and overcame her trauma through art and activism.

Sandra Uwiringiyimana was just ten years old when she found herself with a gun pointed at her head. The rebels had come at night—wielding weapons, torches, machetes. She watched as her mother and six-year-old sister were gunned down in a refugee camp, far from their home in the Democratic Republic of the Congo. The rebels were killing people who weren’t from the same community, the same tribe. In other words, they were killing people simply for looking different.

“Goodbye, life,” she said to the man ready to shoot her.

Remarkably, the rebel didn’t pull the trigger, and Sandra escaped into the night.

Thus began a new life for her and her surviving family members. With no home and no money, they struggled to stay alive. Eventually, through a United Nations refugee program, they moved to America, only to face yet another ethnic disconnect. Sandra may have crossed an ocean, but there was now a much wider divide she had to overcome. And it started with middle school in New York.

In this profoundly moving memoir, Sandra tells the story of her survival, of finding her place in a new country, and of her hope for the future.

Potentially Sensitive Areas: Guns, Mild language, Discrimination, War, Violence, Strong sexual themes, Graphic description of refugee-camp massacre, Racism

 

Book Info

Reviews

Booklist (March 15, 2017 (Vol. 113, No. 14))
Grades 8-10. As America’s doors threaten to shut against refugees, this memoir could not be timelier. As a 10-year-old in 2004, Uwiringiyimana (pronounced oo-wee-ring-GEE-yi-mah-nah) and her family fled conflict in their native Congo for a U.N. refugee camp over the border in Burundi. The stay, overcrowded and miserable as the sanctuary was, proved short-lived: on the night of August 13, armed rebels attacked the camp, slaughtering 166 people. Uwiringiyimana’s narrative starts with a terrifying moment-by-moment account of that horrific event. Her ability to summon the chaos and terror is extraordinary, but then, so is she. Plagued by PTSD and severe, recurrent depression in the years since—the U.N. succeeded in bringing the surviving members of her family to the U.S. in 2007—she has emerged as a powerful spokesperson for the plight of the dispossessed. Her account of the family’s first few years in upstate New York, where she was made to feel again unwanted and alien at school, is almost as heartbreaking as the memory of that one world-shattering night.

Horn Book Magazine (July/August, 2017)
Congolese refugee Sandra Uwiringi-yimana recounts life before, during, and after war. At ten, Sandra sees her sister gunned down along with others at the camp where she and her family were temporarily staying. Before readers can find out which of Sandra’s family members survived, she takes us back to her life in the Democratic Republic of the Congo, where, as Banyamulenge people, they were considered stateless foreigners. Despite the discrimination, Sandra spent much of her childhood in a comfortable middle-class home, although frequent civil unrest would require the family to enter refugee camps for a time and then return home. After the night her sister was murdered, she and her surviving family members began the long process of applying for asylum in the United States. From there, Sandra recounts her American adolescence, trying to make sense of what race means in America and how she fits in as an African but not an African American. The prose may be workmanlike, but the politically and culturally complex picture of Africa that the author paints is welcome, and the complexities of black identity for recent immigrants versus that of diasporic black people are not often touched upon in YA literature. sarah hannah gómez

About the Author

Sandra Uwiringiyimana is originally from the Democratic Republic of the Congo.

She came to America as a refugee with her family, and started middle school in New York. She has shared the stage alongside Charlie Rose, Angelina Jolie, former Secretary of State Madeleine Albright, and Tina Brown at the Women in the World Summit. She also addressed the United Nations Security Council. She is a graduate of Mercy College.

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The Lines We Cross by Randa Abdel-Fattah

The Lines We Cross by Randa Abdel-Fattah. May 9, 2017. Scholastic Press, 400 p. ISBN: 9781338118667.  Int Lvl: YA; Rdg Lvl: YA; Lexile: 690.

Boy meets girl. Girl changes everything.

Michael likes to hang out with his friends and play with the latest graphic design software. His parents drag him to rallies held by their anti-immigrant group, which rails against the tide of refugees flooding the country. And it all makes sense to Michael.

Until Mina, a beautiful girl from the other side of the protest lines, shows up at his school, and turns out to be funny, smart—and a Muslim refugee from Afghanistan. Suddenly, his parents’ politics seem much more complicated.

Mina has had a long and dangerous journey fleeing her besieged home in Afghanistan, and now faces a frigid reception at her new prep school, where she is on scholarship. As tensions rise, lines are drawn. Michael has to decide where he stands. Mina has to protect herself and her family. Both have to choose what they want their world to look like

Potentially Sensitive Areas: Fighting, Strong language, Drugs, Underage drinking

 

Reviews

Booklist starred (March 1, 2017 (Vol. 113, No. 13))
Grades 9-12. Acclaimed author and Islamophobia expert Abdel-Fattah pens another timely story. As a child, Mina came to Australia by boat, a Muslim refugee escaping turmoil in her native Afghanistan. Now, as a teen, she enters an elite preparatory school on the other side of Sydney, on scholarship. Michael, a natural-born Australian citizen, hasn’t spent too much time second-guessing his parents’ involvement in a local anti-immigrant group, until he sees Mina, and his unquestioning trust in his parents begins to fray. Told in chapters alternating between Mina and Michael, this mature, nuanced novel explores the forces that feed anti-immigrant sentiment and the hypocrisy that festers in hateful beliefs. There are no easy answers here, and, indeed, several uncomfortable moments as Michael resists his parents’ deeply held beliefs. Though a novel like this could easily become didactic, Abdel-Fattah expertly sidesteps heavy-handed lessons, instead deeply rooting the story in the experiences of these two teenagers, rendering their story, encompassing romance, a testament to friendship, and a powerful call to action, in utterly real and sympathetic terms. Though the setting is Australia, readers will find direct parallels to current situations in the U.S., and given the fallout of the 2016 election, this book could not be more necessary. Deserving of wide readership and discussion.

Kirkus Reviews starred (March 1, 2017)
An Afghani-Australian teen named Mina earns a scholarship to a prestigious private school and meets Michael, whose family opposes allowing Muslim refugees and immigrants into the country. Dual points of view are presented in this moving and intelligent contemporary novel set in Australia. Eleventh-grader Mina is smart and self-possessed—her mother and stepfather (her biological father was murdered in Afghanistan) have moved their business and home across Sydney in order for her to attend Victoria College. She’s determined to excel there, even though being surrounded by such privilege is a culture shock for her. When she meets white Michael, the two are drawn to each other even though his close-knit, activist family espouses a political viewpoint that, though they insist it is merely pragmatic, is unquestionably Islamophobic. Tackling hard topics head-on, Abdel-Fattah explores them fully and with nuance. True-to-life dialogue and realistic teen social dynamics both deepen the tension and provide levity. While Mina and Michael’s attraction seems at first unlikely, the pair’s warmth wins out, and readers will be swept up in their love story and will come away with a clearer understanding of how bias permeates the lives of those targeted by it. A meditation on a timely subject that never forgets to put its characters and their stories first. (Fiction. 12-17)

About the Author

Randa Abdel-Fattah is an award-winning author, former attorney, and an expert on Islamaphobia in Australia. She is the author of the critically acclaimed novels Does My Head Look Big In This? and Ten Things I Hate About Me, as well as the middle-grade novel Where the Streets Had a Name. Ms. Abdel-Fattah lives in Sydney, Australia, with her husband and their children.

Her website is www.randaabdelfattah.com

Around the Web

The Lines We Cross on Amazon

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Exit West by Mohsin Hamid

Exit West by Mohsin Hamid. March 7, 2017. Riverhead Books, 231 p. ISBN: 9780735212176.  Int Lvl: AD; Rdg Lvl: AD.

In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through.

Exit West follows these characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time

Potentially Sensitive Areas: Strong language; Discrimination; War; Violence; Strong sexual themes; Drugs; Alcohol

 

Author Interview

Moshin Hamid on The Booklist Reader

Reviews

Kirkus Reviews starred (December 15, 2016)
Hamid (Discontent and Its Civilizations, 2014, etc.) crafts a richly imaginative tale of love and loss in the ashes of civil war. The country—well, it doesn’t much matter, one of any number that are riven by sectarian violence, by militias and fundamentalists and repressive government troops. It’s a place where a ponytailed spice merchant might vanish only to be found headless, decapitated “nape-first with a serrated knife to enhance discomfort.” Against this background, Nadia and Saeed don’t stand much of a chance; she wears a burka but only “so men don’t fuck with me,” but otherwise the two young lovers don’t do a lot to try to blend in, spending their days ingesting “shrooms” and smoking a little ganga to get away from the explosions and screams, listening to records that the militants have forbidden, trying to be as unnoticeable as possible, Saeed crouching in terror at the “flying robots high above in the darkening sky.” Fortunately, there’s a way out: some portal, both literal and fantastic, that the militants haven’t yet discovered and that, for a price, leads outside the embattled city to the West. “When we migrate,” writes Hamid, “we murder from our lives those we leave behind.” True, and Saeed and Nadia murder a bit of themselves in fleeing, too, making new homes in London and then San Francisco while shed of their old, innocent selves and now locked in descending unhappiness, sharing a bed without touching, just two among countless nameless and faceless refugees in an uncaring new world. Saeed and Nadia understand what would happen if millions of people suddenly turned up in their country, fleeing a war far away. That doesn’t really make things better, though. Unable to protect each other, fearful but resolute, their lives turn in unexpected ways in this new world. One of the most bittersweet love stories in modern memory and a book to savor even while despairing of its truths.

Booklist starred (December 15, 2016 (Vol. 113, No. 8))
In an unnamed city with strict social mores, young Nadia is a rebel, an atheist who chooses to live and work independently. In religious and unassuming Saeed she finds the perfect companion. As the two fall in love, their romance is tinged with a sense of urgency and inevitability as the city falls to militia, and basic freedoms and food quickly become rarities. When the situation turns dire, Saeed and Nadia decide to migrate as thousands already have and cobble together every last bit of their savings to find safe passage out. Caught in the whirlpool of refugees from around the world, Saeed and Nadia are tossed around like flotsam, the necessity of survival binding them together more than any starry-eyed notion of romance ever could. If at times the story of refugees facing no easy choice feels derivative, Hamid (How to Get Filthy Rich in Rising Asia, 2013) smooths over such wrinkles with spellbinding writing and a story of a relationship that sucks its own marrow dry for sustenance. The concept of the door is a powerful, double-edged metaphor here, representing a portal leading to a promised land that when closed, however, condemns one to fates from which there is no escape.

About the Author

Mohsin Hamid is a Pakistani author best known for his novels Moth Smoke (2000), The Reluctant Fundamentalist (2007), and How to Get Filthy Rich in Rising Asia (2013). His fiction has been translated into over 30 languages, shortlisted for the Man Booker Prize, featured on bestseller lists, and adapted for the cinema. His short stories have appeared in the New Yorker, Granta, and the Paris Review, and his essays in the Guardian, the New York Times, and the New York Review of Books. Born in 1971, he has lived about half his life, on and off, in Lahore. He also spent part of his early childhood in California, attended Princeton and Harvard, and worked for a decade as a management consultant in New York and London, mostly part-time.

His website is www.mohsinhamid.com.

Teacher Resources

Exit West Discussion Questions

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The Best We Could Do by Thi Bui

The Best We Could Do: An Illustrated Memoir by Thi Bui. March 7, 2017. Abrams Books, 336 p. ISBN: 9781419718779.  Int Lvl: AD; Rdg Lvl: AD; Lexile: 600.

An intimate and poignant graphic novel portraying one family’s journey from war-torn Vietnam, from debut author Thi Bui.

This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves.

At the heart of Bui’s story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent—the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through. With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home.

In what Pulitzer Prize–winning novelist Viet Thanh Nguyen calls “a book to break your heart and heal it,” The Best We Could Do brings to life Thi Bui’s journey of understanding, and provides inspiration to all of those who search for a better future while longing for a simpler past.

Potentially Sensitive Areas: Strong language; Racial taunts; War; Violence; Realistic depiction of childbirth; Stillbirth; Child abuse

 

Reviews

Library Journal – web only (January 27, 2017)
[DEBUT] With her debut graphic memoir, Bui captivates readers with her recounting of the struggle her family faced as they emigrated from Vietnam to the United States after the war, leaving behind their way of life. Now, as a new mother, Bui starts to contemplate her parents’ lives and what events led them to their current situation. The narrative then rewinds to the author’s childhood in California and her desire to understand why her parents fled their home in the Seventies. Spanning her own experience as well as that of her parents in the French-occupied and ultimately war-torn country, this oral retelling takes readers down the path of three generations, presenting a firsthand glimpse into the history of Vietnam. Uncovering deeper insight into her heritage, which resonates for her as an adult, Bui creates a seamless transition between past and present, making for an accessible read, along with beautiful artwork that draws us in with every panel. Verdict Be prepared to take your heart on an emotional roller-coaster journey with this thought-provoking account that completely satisfies as the story comes full circle. Highly recommended for teens and adults; an excellent choice for book clubs.-Laura McKinley, Huntington P.L., NY

Publishers Weekly (December 5, 2016)
Tracing her family’s journey to the United States and their sometimes-uneasy adaptation to American life, Bui’s magnificent memoir is not unique in its overall shape, but its details are: a bit of blood sausage in a time of famine, a chilly apartment, a father’s sandals contrasted with his son’s professional shoes. The story opens with the birth of Bui’s son in New York City, and then goes back to Vietnam to trace the many births and stillbirths of her parents, and their eventual boat journey to the U.S. In excavating her family’s trauma through these brief, luminous glimpses, Bui transmutes the base metal of war and struggle into gold. She does not spare her loved ones criticism or linger needlessly on their flaws. Likewise she refuses to flatten the twists and turns of their histories into neat, linear narratives. She embraces the whole of it: the misery of the Vietnam War, the alien land of America, and the liminal space she occupies, as the child with so much on her shoulders. In this mélange of comedy and tragedy, family love and brokenness, she finds beauty. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

About the Author

Thi Bui was born in Vietnam and immigrated to the United States as a child. She studied art and law and thought about becoming a civil rights lawyer, but became a public school teacher instead. Bui lives in Berkeley, California, with her son, her husband, and her mother. The Best We Could Do is her debut graphic novel.

Her website is www.thibui.com.

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City of Saints & Thieves by Natalie C. Anderson

City of Saints & Thieves by Natalie C. Anderson. January 24, 2017. G.P. Putnam’s Sons Books for Young Readers, 432 p. ISBN: 9780399547584.  Int Lvl: YA; Rdg Lvl: YA.

The Girl with the Dragon Tattoo meets Gone Girl in this enthralling murder mystery set in Kenya.

In the shadows of Sangui City, there lives a girl who doesn’t exist. After fleeing the Congo as refugees, Tina and her mother arrived in Kenya looking for the chance to build a new life and home. Her mother quickly found work as a maid for a prominent family, headed by Roland Greyhill, one of the city’s most respected business leaders. But Tina soon learns that the Greyhill fortune was made from a life of corruption and crime. So when her mother is found shot to death in Mr. Greyhill’s personal study, she knows exactly who’s behind it.

With revenge always on her mind, Tina spends the next four years surviving on the streets alone, working as a master thief for the Goondas, Sangui City’s local gang. It’s a job for the Goondas that finally brings Tina back to the Greyhill estate, giving her the chance for vengeance she’s been waiting for. But as soon as she steps inside the lavish home, she’s overtaken by the pain of old wounds and the pull of past friendships, setting into motion a dangerous cascade of events that could, at any moment, cost Tina her life. But finally uncovering the incredible truth about who killed her mother—and why—keeps her holding on in this fast-paced nail-biting thriller.

Potentially Sensitive Areas: Strong language; Violence; Strong sexual themes; Gangs

 

Author Interview

Reviews

Booklist starred (January 1, 2017 (Vol. 113, No. 9))
Grades 8-11. “If you’re going to be a thief, the first thing you need to know is that you don’t exist.” So begins Congo refugee and Kenyan street gang member Tina’s gripping narrative, a wonderfully twisted puzzle of a murder mystery. Six years ago, Tina’s mother, maid to wealthy Mr. Greyhill, was murdered in his study. Eleven-year-old Tina got her half sister Kiki (Mr. Greyhill’s daughter) a scholarship at a convent school and then disappeared into the streets of Sangui City, where she joined the Goonda gang. Here Tina refined her skills as a thief while carefully plotting revenge on Greyhill, whom she has good reason to believe murdered her mother. Now 17, Tina is ready to put the plan into action by blackmailing and then killing her mother’s assassin. Anderson, who has worked with refugee relief and development in Africa, addresses issues of race, class, and gender as intrinsic plot elements. Tina’s gay friend BoyBoy is an especially sympathetic and compelling character who refuses to join the Goondas, yet lends his computer skills to their many heists. Greyhill’s son Michael, Tina’s childhood playmate, is now both her captor and maybe her love interest, highlighting the tremendous gap between wealth and poverty and the resulting power dynamics. The nicely twisted climax is wholly believable, and readers will be sorry to leave Tina, whose fierce loyalty to family drives her courageous actions.

Kirkus Reviews (December 1, 2016)
Anderson’s debut mystery novel features a Congolese teenager bent on revenge.In fictional Sangui City, Kenya, lives 16-year-old Tina, a black Congolese refugee. Tina has two purposes in life: take care of her mixed-race half sister, Kiki, and avenge their mother’s death. Five years ago, Mama was murdered, and Tina believes the culprit can only be the rich and corrupt Mr. Greyhill, her mother’s white former employer and lover. To survive, Tina has embedded herself as the wiliest of thieves within the ranks of the Goondas, a powerful gang in the city. After a Goonda heist on Mr. Greyhill goes wrong, Tina finds herself in cahoots with his mixed-race son, Michael, to find the true murderer. Michael wants to prove it wasn’t his father, and Tina goes along with it so that she can resume her plan for vengeance. Along with her black tech genius partner in crime, Boyboy, they find themselves in the depths of Congo, looking for answers that could cost them their lives. The narrative is guided by Tina’s rules for survival, which reveal a strong yet vulnerable character. While much of the novel is fictionalized, it exposes both the very real corruption and greed of the mining industry in Congo and the women who pay the price. The novel is peppered with Swahili words and phrases, and Anderson makes an effort to paint a picture of the country. A story full of twists and turns, proving nothing is ever as black and white as it may seem. (glossary) (Thriller. 12-16)

About the Author

Natalie C. Anderson is a writer and international development professional living in Boston, Massachusetts. She has spent the last decade working with NGOs and the UN on refugee relief and development, mainly in Africa. She was selected as the 2014-2015 Associates of the Boston Public Library Children’s Writer in Residence, where she wrote her debut novel, City of Saints and Thieves.

Her website is www.nataliecanderson.com.

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