Romeo and Juliet meets One Hundred Years of Solitude in Emily Henry’s brilliant follow-up to The Love That Split the World, about the daughter and son of two long-feuding families who fall in love while trying to uncover the truth about the strange magic and harrowing curse that has plagued their bloodlines for generations.
In their hometown of Five Fingers, Michigan, the O’Donnells and the Angerts have mythic legacies. But for all the tall tales they weave, both founding families are tight-lipped about what caused the century-old rift between them, except to say it began with a cherry tree.
Eighteen-year-old Jack “June” O’Donnell doesn’t need a better reason than that. She’s an O’Donnell to her core, just like her late father was, and O’Donnells stay away from Angerts. Period.
But when Saul Angert, the son of June’s father’s mortal enemy, returns to town after three mysterious years away, June can’t seem to avoid him. Soon the unthinkable happens: She finds she doesn’t exactly hate the gruff, sarcastic boy she was born to loathe.
Saul’s arrival sparks a chain reaction, and as the magic, ghosts, and coywolves of Five Fingers conspire to reveal the truth about the dark moment that started the feud, June must question everything she knows about her family and the father she adored. And she must decide whether it’s finally time for her—and all of the O’Donnells before her—to let go.
Potentially Sensitive Areas: Strong language, Mild sexual themes, Underage drinking
Booklist (June 1, 2017 (Online))
Grades 9-12. Jack (aka June) O’Donnell IV lives in a place where the divide between the real world and that of ghosts and spirits is thin. These ethereal forces sustain a generations-old feud between the O’Donnells and the Angerts, but when June meets Saul Angert, she only knows he’s beautiful and a kindred soul. The two embark on an odyssey to recover memories of those they loved, learn the truth of their shared history, and maybe put the long feud to rest. With a firm nod to Romeo and Juliet, this supernatural mystery is a gift to readers’ imagination. There are coywolves (a mix of coyote and wolf) who steal shoes so that people can reach the spirit world; “Whites,” puffballs that embody memories that act as clues; and relatable characters tethered and anchored by love. The first-person narrative supports a textured story that is an exploration of duty, family, and faith and yet doesn’t forget the humor of everyday life. Try it with fans of John Green or Anna-Marie McLemore’s The Weight of Feathers (2015).
Kirkus Reviews (March 15, 2017)
In a town where magic is alive and cherries taste like the sun, the children of two rival families must break a curse that’s haunted them for generations and learn what it means to live with loss.Jack O’Donnell IV—called Jack, Jackie, Junior, or June—knows two things for sure. First, she will always be her father’s daughter, even though he passed when she was 8. Second, she must never, ever interact with the Angerts, or terrible things will happen to both families. But when Saul Angert returns to town and the two literally bump into each other, their chemistry is undeniable—as is the fact that they’re suddenly able to enter their deceased loved ones’ memories. As the recollections lead them closer to the truth about the O’Donnell-Angert vitriol, they also reveal that the father June grew up worshipping was more complicated than he seemed. Early on, readers will fall for the teens’ witty repartee and June’s father’s tall tales, but Henry’s (The Love That Split the World, 2016) beautifully crafted if largely white world, which is rich with a strong best friendship, a complicated writing teacher, and a dreamlike touch—becomes unwieldy as fantasy takes over. A potential treat for readers who enjoy magical realism, but there are stronger examples of the genre, such as Laura Ruby’s Printz-winning Bone Gap. (Magical realism. 12-16)
About the Author
Emily Henry is the author of The Love That Split the World. She is a full-time writer, proofreader, and donut connoisseur. She studied creative writing at Hope College and the New York Center for Art & Media Studies, and now spends most of her time in Cincinnati, Ohio, and the part of Kentucky just beneath it.
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