Natasha’s sure that her friends love her. But does that mean they didn’t try to kill her?
Natasha doesn’t remember how she ended up in the icy water that night, but she does know this—it wasn’t an accident, and she wasn’t suicidal. Her two closest friends are acting strangely, and Natasha turns to Becca, the best friend she dumped years before when she got popular, to help her figure out what happened.
They say you should keep your friends close and your enemies closer, but when you’re a teenage girl, it’s hard to tell them apart.
Potentially Sensitive Areas: Strong language, Strong sexual themes, Drugs, Alcohol, Smoking, Slur against mentally disabled people
Booklist (September 15, 2017 (Vol. 114, No. 2))
Grades 9-12. Becca and Tasha were childhood best friends, but now, in sixth form, Tasha is the ringleader of a trio of popular mean girls Becca dismissively calls the Barbies. Yet when Becca hears that Tasha is in the hospital after being revived from near drowning, she goes to see her former friend. Oddly, Tasha now wants to reconnect with her, even confiding in Becca that she suspects the Barbies are complicit in Tasha’s brush with death. The intrigue unfolds through a third-person narrative that alternates with snippets from therapy sessions, text conversations, news reports, and Tasha’s diary entries. Although the tone and vocabulary of these narrative voices could be interchangeable, it’s a device that facilitates some dandy plot twists. Pinborough gets the overwrought drama of teen friendships right, capturing both Becca’s intense feelings and her keen intelligence as she struggles to make sense of a string of seemingly unrelated tragic events. Readers drawn to the kind of debauched chicanery made popular in novels such as Gillian Flynn’s Gone Girl (2012) will tear through this edgy thriller.
Kirkus Reviews (August 1, 2017)
Tasha doesn’t remember the circumstances following her near drowning, so she enlists Becca’s help in investigating whether foul play was involved.Tasha’s the undisputed queen of the trio of sixth-form girls known around school as the Barbies for their focus on appearances and their general mean-girl behaviors. So it’s surprising that it’s Becca, Tasha’s former best friend, ostracized years ago for her weight, whom Tasha gathers to her side after the drowning. That a near-death experience might cause Tasha to re-examine her friendships seems plausible, especially considering the suspicious behaviors of the other two Barbies, Jenny and Hayley. Transcripts of the girls’ text messages even reveal—to readers—that Jenny and Hayley are far from real friends to Tasha. This initially detracts from the suspense as readers will quickly decide Jenny and Hayley are guilty. But soon Becca and Tasha’s investigation into the world of white, middle-class teen insecurities, betrayals, manipulations, sex, and drug use becomes darkly fascinating on its own. Characters’ desperation for attention lead them to accept treating others badly as the cost of winning Tasha’s affection (or at least avoiding her scorn). And when another student’s sudden death prompts Becca to take the investigation in a surprising new direction, the mystery’s tension ratchets up again. Red herrings lead to a satisfying conclusion in this British import. (Mystery. 14-18)
About the Author
Sarah Pinborough is the award-winning, New York Times and internationally bestselling author of Behind Her Eyes. Behind Her Eyes was praised by Stephen King, Joe Hill, Harlan Coben, and The New York Times Book Review, among others. 13 Minutes has been optioned by Netflix.
Sarah lives in London. Her website is www.sarahpinborough.com
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