Satire meets slasher in this short, darkly funny hand grenade of a novel about a Nigerian woman whose younger sister has a very inconvenient habit of killing her boyfriends.
“Femi makes three, you know. Three and they label you a serial killer.”
Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit.
A kind, handsome doctor at the hospital where Korede works, is the bright spot in her life. She dreams of the day when he will realize they’re perfect for each other. But one day Ayoola shows up to the hospital uninvited and he takes notice. When he asks Korede for Ayoola’s phone number, she must reckon with what her sister has become and what she will do about it.
Sharp as nails and full of deadpan wit, Oyinkan Braithwaite has written a deliciously deadly debut that’s as fun as it is frightening.
Potentially Sensitive Areas: Mild language, Violence, Domestic abuses
Booklist (September 1, 2018 (Vol. 115, No. 1))
Ayoola is beautiful, charismatic, and popular, everything her long-suffering older sister, Korede, is not. Ayoola is also a killer, and Korede is growing used to literally cleaning up her messes when Ayoola ends her relationships with their father’s ceremonial knife. Korede’s life has few pleasures, but she looks forward to her nursing shifts at the hospital where she can be near the handsome Dr. Tade Otumu. Then Tade meets Ayoola and falls under her spell. Braithwaite’s debut is written in quick, economical chapters that brilliantly render the setting: the crowded streets of Lagos, St. Peter’s hospital, the languid heat on Korede and Ayoola’s family estate. This is a darkly, darkly funny novel—for example, Ayoola invites Tade over to play Cluedo just weeks after the sisters were bleaching bathroom tiles and dumping a body in the river. It strips away the romanticism of the complicated sisterly relationship but perfectly illustrates its complicated contradictions: Korede cannot stand Ayoola, but she would do anything for her.
Kirkus Reviews (September 15, 2018)
From the hospital rooms and living spaces of Lagos, Nigeria, comes a dryly funny and wickedly crafty exercise in psychological suspense. Introverted, sensitive Korede is a nurse, a very good one from what we see of her at work. She feels such a connection with her patients that she finds herself taking a coma victim named Muhtar into her confidence. There’s one secret in particular that pours out of Korede like scalding liquid: Her flamboyantly beautiful younger sister, Ayoola, has this habit of killing the men she dates. (Three, so far.) She hasn’t been caught yet because Korede cleans up after her. They both disposed of the most recent victim, a poet named Femi, so efficiently that nobody in his family or with the police know his whereabouts. So that, as Korede is concerned, is that; except there’s this single good-looking doctor named Tade at the hospital where she works who has his eye on Ayoola—even though Korede has tried her best to win Tade’s attention. Now she tries to warn Tade that her sister’s relationships “tend to end, badly.” His response: “Oh…guys can be jerks.” (Yes, they certainly can.) As Tade and Ayoola begin their romance, Korede’s the one who has to answer questions about Femi’s disappearance, and, seemingly out of nowhere, Ayoola acquires yet another suitor named Gboyega, prompting both Korede and the reader to wonder which of these unwary gentlemen Ayoola will favor and what will happen to him. Generations of gothic mystery aficionados have attended these uneasy and insidious events before. But besides the setting, what makes Braithwaite’s first novel stand out from others in this genre is the unobtrusively sly approach she takes to the conventions of “black widow” storytelling and the appealing deadpan voice of the jittery yet world-weary Korede. Along the way, there are scattered glimpses of life in Lagos, most acidly when Korede deals with the routine corruption involved in a traffic stop. Even your most extravagant speculations about what’s really going on with these wildly contrasting yet oddly simpatico siblings will be trumped in this skillful, sardonic debut.
About the Author
Oyinkan Braithwaite is a graduate of Creative Writing and Law from Kingston University. Following her degree, she worked as an assistant editor at Kachifo, a Nigerian publishing house, and has been freelancing as a writer and editor since. In 2014, she was shortlisted as a top-ten spoken-word artist in the Eko Poetry Slam, and in 2016 she was a finalist for the Commonwealth Short Story Prize.
She lives in Lagos, Nigeria.
Her website is writeratworkng.com
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